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From the monthly archives:

November 2010

While You Were In: Thanksgiving Weekend

by Post Editors on November 30, 2010

A tribute to the music of New York City, the return of local act IY/New Neighbors and Not from Wisconsin in a photo round-up of the holiday weekend by Heather Ainsworth and Ed Dittenhoefer.

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While You Were In: Mike Gordon

by Post Editors on November 29, 2010

Phish bassist, Mike Gordon, and his band played to a sold-out crowd Tuesday, November 23, at the Westcott Theater in Syracuse. Post Photographer Heather Ainsworth was there.

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Ithaca is Braggtown

by Post Editors on November 29, 2010

Musician and educator Branford Marsalis will stop by Ithaca College Monday, December 6 for a free performance.

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Flatlands

by Arthur Whitman on November 27, 2010

Flatness and aerial imagery have been consistent themes in the work of Trumansburg artist Barbara Page, an experienced pilot and scuba diver as well as a painter, book artist, and relief sculptor of diverse interests and styles.

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Post Planner: Thanksgiving Weekend

by Post Editors on November 24, 2010

A round-up of events over Thanksgiving weekend.

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Drink My Words: Dog Treats

by Amelia Sauter on November 23, 2010

It’s a dog-eat-cat world. Cartoon by Amelia Sauter.

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While You Were In

by Post Editors on November 22, 2010

The Felice Brothers: Greg Farley, and siblings James and Ian charmed a sold-out show at Castaways Saturday, Nov. 21. Post photographers Heather Ainsworth and Ed Dittenhoefer round-up the weekend’s concerts.

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Post Gets Lit

by Post Editors on November 21, 2010

Ithaca Post contributors Amelia Sauter and Bob Proehl were featured fiction writers at two well-attended readings last week.

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Brothers Back the ‘Clock’

by Luke Z. Fenchel on November 19, 2010

After a few years living out of a bus, and propagating their folk mythology through two self-released albums, the Felice Brothers signed to Conor Oberst’s Team Love label, and released an eponymous “brick and mortar” debut, and last year’s Yonder is the Clock.

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Wall Street Makeover

by Anna Fishbeyn on November 18, 2010

Stone’s second Wall Street movie was not merely a reflection of the director’s age-old prejudices, but an uncomfortable mirror exposing sweeping social trends that threaten to propel women back to their original pre-feminist roles, zapping us into the Stepford wives of the 1950s.

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